1 00:00:11,100 --> 00:00:12,360 Yo yo yo 2 00:01:40,200 --> 00:01:41,520 Hahahahahahaha 3 00:02:09,440 --> 00:02:12,820 The words that defined Florence's Golden Age 4 00:02:19,359 --> 00:02:21,319 mid-fifteenth century 5 00:02:21,319 --> 00:02:25,200 The city was the center of the Italian Renaissance 6 00:02:29,860 --> 00:02:31,860 The mighty Medici here 7 00:02:31,860 --> 00:02:36,920 A family of bankers and merchants who ruled without a crown or scepter 8 00:02:39,840 --> 00:02:44,760 It was under their patronage that two of the greatest icons in the history of art were born 9 00:02:44,760 --> 00:02:48,300 Spring and the Birth of Venus 10 00:02:51,560 --> 00:02:56,120 These universal icons were created in the context of power 11 00:02:56,120 --> 00:02:57,100 religion 12 00:02:57,100 --> 00:02:58,820 and conspiracy 13 00:03:03,479 --> 00:03:06,219 Rebirth of a glorious era 14 00:03:06,219 --> 00:03:08,640 violence and betrayal 15 00:03:10,980 --> 00:03:15,120 The artist behind these masterpieces was a great visionary 16 00:03:17,120 --> 00:03:19,520 Heroes of Florence's Golden Age 17 00:03:21,960 --> 00:03:22,460 Sandro 18 00:03:22,460 --> 00:03:23,500 Botticelli 19 00:03:25,340 --> 00:03:27,220 Botticelli transcends time 20 00:03:27,220 --> 00:03:28,480 he transcends language 21 00:03:28,480 --> 00:03:31,460 He is part of our common cultural consciousness 22 00:03:32,439 --> 00:03:37,700 Good time if you go around the torso is mondo 23 00:03:38,899 --> 00:03:41,740 You see this mystery 24 00:03:46,860 --> 00:03:50,200 He was an influencer of the Renaissance style 25 00:03:52,440 --> 00:03:54,440 Crystal is a modern island 26 00:03:54,440 --> 00:03:56,600 no more crystals for me 27 00:03:56,600 --> 00:03:57,220 ita 28 00:03:57,220 --> 00:03:58,260 filata 29 00:03:58,260 --> 00:03:59,280 Transformers 30 00:03:59,280 --> 00:04:00,320 Riatta 31 00:04:04,400 --> 00:04:06,200 he is a great designer 32 00:04:06,200 --> 00:04:09,780 It was this extraordinary ability that made him successful in the fifteenth century 33 00:04:09,780 --> 00:04:12,300 can still be felt today 34 00:04:44,560 --> 00:04:46,840 Florence April 8 35 00:04:46,840 --> 00:04:47,320 fourteen 36 00:04:47,320 --> 00:04:48,400 ninety-two 37 00:04:50,219 --> 00:04:51,899 Lorenzo De Medici 38 00:04:51,899 --> 00:04:54,499 called a gorgeous death 39 00:04:54,499 --> 00:04:55,779 He is only four years old 40 00:04:55,779 --> 00:04:57,200 three years old 41 00:05:00,940 --> 00:05:02,700 Girolamo Savonarola 42 00:05:02,700 --> 00:05:05,340 fire and brimstone dominican monks 43 00:05:05,340 --> 00:05:09,460 His sermons inspired religious fervor in the city 44 00:05:10,900 --> 00:05:14,200 Throw his prophecies from the pulpit 45 00:05:22,400 --> 00:05:25,940 A bolt of lightning struck the lantern on the cathedral dome 46 00:05:25,940 --> 00:05:28,940 A sinister omen in the sky over Florence 47 00:05:28,940 --> 00:05:31,000 Foretelling the end of an era 48 00:05:33,380 --> 00:05:36,860 Florence plunges into darkness without Lorenzo 49 00:05:37,560 --> 00:05:39,300 its golden age of wealth 50 00:05:39,300 --> 00:05:42,980 Beauty and domination are over 51 00:05:51,920 --> 00:05:55,880 This was the end of the so-called Florentine Spring 52 00:05:55,880 --> 00:06:00,900 A time of carnival and unbridled celebrations 53 00:06:09,180 --> 00:06:14,500 An era of creativity that inspired some of the greatest artists of all time 54 00:06:18,260 --> 00:06:23,600 Botticelli witnessed those years and depicted them in his canvases 55 00:06:24,700 --> 00:06:29,700 His life is inextricably linked to that of Lorenzo the Great 56 00:06:30,340 --> 00:06:31,980 always 57 00:06:35,380 --> 00:06:38,220 Lorenzo de' Medici was a political leader in Florence 58 00:06:38,220 --> 00:06:41,340 But he was also a cultural leader in Florence 59 00:06:42,500 --> 00:06:45,380 Think about it, he was one of the greatest poets of his time 60 00:06:45,380 --> 00:06:47,360 There is no such leader today 61 00:06:48,340 --> 00:06:49,600 he is a banker 62 00:06:49,600 --> 00:06:51,960 He is a very unusual character 63 00:06:51,960 --> 00:06:55,290 Because he is passionate about art 64 00:06:55,290 --> 00:06:57,390 But he's also a ruthless manipulator 65 00:06:57,390 --> 00:07:00,560 He wants to use culture for his own benefit 66 00:07:00,760 --> 00:07:05,940 Grand Diploma Piccio El Grand Diploma 67 00:07:05,940 --> 00:07:09,350 2. He sold the matter quickly 68 00:07:26,000 --> 00:07:32,840 I was actually in the Porta Punto financial scene in Ramanala 69 00:07:32,840 --> 00:07:35,240 Wall Street to Delarove 70 00:07:45,640 --> 00:07:51,600 John is the best at playing with... 71 00:07:51,600 --> 00:07:51,860 you know 72 00:08:21,640 --> 00:08:25,700 It's in this city etched by light and shadow 73 00:08:25,700 --> 00:08:26,770 Sandro Botticelli 74 00:08:26,770 --> 00:08:29,550 one of the masters of the golden age of florence 75 00:08:29,550 --> 00:08:31,310 Under Lorenzo 76 00:08:31,310 --> 00:08:34,380 Born in 1445 77 00:08:46,520 --> 00:08:50,600 The complex role of Giorgio Vasari 78 00:08:50,600 --> 00:08:52,120 sixteenth century historian 79 00:08:52,120 --> 00:08:55,600 Described as demanding 80 00:09:04,200 --> 00:09:07,400 nickname from artist brothers 81 00:09:07,400 --> 00:09:09,840 The word bolt means barrel 82 00:09:09,840 --> 00:09:12,699 Maybe it means his brother is a little fat 83 00:09:12,820 --> 00:09:16,980 Maybe it's because his brother likes to drink 84 00:09:16,980 --> 00:09:19,600 Or a boat that is both. 85 00:09:19,600 --> 00:09:20,660 Japanese keg 86 00:09:20,660 --> 00:09:21,819 Botticelli 87 00:09:37,520 --> 00:09:38,900 Raviadui 88 00:09:38,900 --> 00:09:43,820 La familia sarah raita i lava anova do i sani or a delta 89 00:09:43,820 --> 00:09:45,380 via del porcella 90 00:09:46,360 --> 00:09:49,640 Botticelli abu Tora Fortuna di La Oralviva 91 00:09:49,640 --> 00:09:53,620 About Tia Viadre in Don't Starve 92 00:09:54,800 --> 00:09:55,960 when he was two years old 93 00:09:55,960 --> 00:10:00,359 Botticelli V had already made a deep impression on the Medici family 94 00:10:02,940 --> 00:10:05,760 But his real breakthrough came in 1470 95 00:10:05,760 --> 00:10:09,599 as he snatched commissions from two other giants of the day 96 00:10:14,920 --> 00:10:20,120 He rose to prominence in the Florentine art world with his painting tenacity 97 00:10:49,480 --> 00:10:51,820 Botticelli was not very cautious 98 00:10:51,820 --> 00:10:55,260 You may see an opportunity for a grand entrance 99 00:11:04,800 --> 00:11:09,459 Botticelli was able to work his way into committees that broke the rules 100 00:11:11,140 --> 00:11:14,200 He must have a strong person behind him to help him 101 00:11:14,200 --> 00:11:16,600 Who is that powerful person? 102 00:11:16,600 --> 00:11:17,780 The rest is magnificent 103 00:11:26,600 --> 00:11:31,199 Salute to Kalitafa, They Said to Sonoma 104 00:11:44,200 --> 00:11:49,550 Maybe we'll prepare a menti know you know decide you know 105 00:11:58,160 --> 00:12:01,700 Tenacity really blows out all kinds of colorful reflections 106 00:12:01,700 --> 00:12:02,660 metal reflection 107 00:12:02,660 --> 00:12:05,939 All the textures are very well done 108 00:12:06,880 --> 00:12:10,680 With a beautiful palette that will be his palette from the start 109 00:12:15,200 --> 00:12:17,140 Has a strong purple color 110 00:12:17,140 --> 00:12:17,959 red 111 00:12:21,140 --> 00:12:23,000 This metal reflects 112 00:12:23,000 --> 00:12:26,199 this is absolutely shocking 113 00:12:28,360 --> 00:12:31,540 When you look at her, tenacity is really close to you 114 00:12:31,540 --> 00:12:36,460 This was a constant in the way Botticelli designed his work 115 00:12:36,460 --> 00:12:41,540 It's looking at how the audience sees things 116 00:12:55,180 --> 00:12:56,780 Florence during the Renaissance 117 00:12:56,780 --> 00:13:00,630 The soft power of art is brought into full play 118 00:13:01,690 --> 00:13:06,410 Adept at captivating audiences with his images of the sacred and the profane 119 00:13:06,410 --> 00:13:07,870 is a painting master 120 00:13:07,870 --> 00:13:13,680 Myths and symbols as warning signs for entering public spaces 121 00:13:23,200 --> 00:13:26,500 Imagine a Renaissance church stepping into the era of Botticelli 122 00:13:26,500 --> 00:13:28,640 Everyone can see the mural 123 00:13:28,640 --> 00:13:29,819 So you look up 124 00:13:29,819 --> 00:13:32,879 Not only will you see magnificent paintings 125 00:13:32,879 --> 00:13:34,659 And portraits 126 00:13:34,659 --> 00:13:34,939 people 127 00:13:34,939 --> 00:13:35,560 do you know 128 00:13:35,560 --> 00:13:36,560 head of state 129 00:13:36,560 --> 00:13:37,840 wealthy banker 130 00:13:37,840 --> 00:13:40,540 They pay artists to create their works 131 00:13:40,540 --> 00:13:43,140 They want their faces to show up 132 00:13:45,580 --> 00:13:48,220 So if you need to make a statement 133 00:13:48,220 --> 00:13:49,580 you have to use an artist 134 00:13:49,580 --> 00:13:53,840 Artists became spokespersons for people like the Medici family 135 00:13:53,840 --> 00:13:56,540 They want to talk about their power 136 00:13:56,540 --> 00:13:57,840 their piety 137 00:13:57,840 --> 00:13:59,380 their status 138 00:14:02,380 --> 00:14:05,420 A good example is the worship of the Magi 139 00:14:37,560 --> 00:14:40,190 Botticelli made this biblical scene 140 00:14:40,190 --> 00:14:42,910 He put all the members of the Medici family in it 141 00:14:42,910 --> 00:14:44,150 It's like they are there 142 00:14:44,150 --> 00:14:45,930 Cosimo Piero 143 00:14:45,930 --> 00:14:49,330 Giovanni and Giuliani were both present at the nativity 144 00:14:49,330 --> 00:14:52,520 Their portraits are in the center of the painting 145 00:14:53,760 --> 00:14:56,580 This painting was a revolution in design 146 00:14:56,580 --> 00:15:00,780 This may be the first non-linear depiction of the story 147 00:15:03,400 --> 00:15:07,140 Botticelli placed the Holy Family at the center of the painting 148 00:15:07,140 --> 00:15:08,880 rise above the scene 149 00:15:08,880 --> 00:15:13,180 All other characters are arranged symmetrically on both sides 150 00:15:13,500 --> 00:15:16,400 Set in a dilapidated Roman ruins 151 00:15:16,400 --> 00:15:20,380 Implying that Christianity is the only true way 152 00:15:20,720 --> 00:15:22,440 Lorenzo himself is still alive 153 00:15:23,480 --> 00:15:25,400 so he took him aside 154 00:15:26,700 --> 00:15:30,920 And on the right we see a young man looking very proud 155 00:15:30,920 --> 00:15:32,860 look directly at the audience 156 00:15:32,860 --> 00:15:35,790 That's the artist's self-portrait 157 00:15:41,860 --> 00:15:43,940 She added the whole Diogo aria 158 00:15:43,940 --> 00:15:49,960 This fly was done to me by Sensodis Okwe 159 00:15:53,960 --> 00:15:54,600 for me 160 00:15:54,600 --> 00:15:56,589 Botticelli seems to be saying 161 00:15:56,589 --> 00:15:57,589 look at me here 162 00:15:57,589 --> 00:15:57,989 i am 163 00:15:57,989 --> 00:15:59,809 I'm at the center of the world 164 00:15:59,809 --> 00:16:01,949 This is an exciting moment in history 165 00:16:01,949 --> 00:16:04,990 Botticelli is there 166 00:16:15,260 --> 00:16:19,200 Botticelli was proud to be a member of a cultural elite of physicians 167 00:16:19,200 --> 00:16:24,200 In his first masterpiece he had already painted an exclusive circle 168 00:16:33,460 --> 00:16:35,460 Made an Antin Primo piano 169 00:16:35,460 --> 00:16:39,180 So research on the demon world or my comet 170 00:16:39,180 --> 00:16:42,160 Lorenzo Giuliano Thorpe 171 00:16:49,600 --> 00:16:51,700 In Cuesta Jonserrano 172 00:16:51,700 --> 00:16:53,300 a great tinera 173 00:16:53,300 --> 00:16:55,620 Santa Maria Cathedral 174 00:16:55,620 --> 00:16:57,540 Raju Deepa 175 00:17:01,460 --> 00:17:05,819 The Medici family were arguably the greatest patrons of the arts in history 176 00:17:06,339 --> 00:17:10,540 But this dynasty is full of conspiracies and vendettas 177 00:17:10,540 --> 00:17:12,859 The pope was one of their enemies 178 00:17:12,859 --> 00:17:17,159 The struggle for power soon erupts into unspeakable violence 179 00:17:26,500 --> 00:17:29,380 Easter Mass April 2 180 00:17:29,380 --> 00:17:34,100 Santa Maria del Fiore in Florence 1478 181 00:17:36,200 --> 00:17:36,760 Lorraine 182 00:17:36,760 --> 00:17:38,620 so a julian 183 00:17:38,620 --> 00:17:39,840 or al aloro 184 00:17:39,840 --> 00:17:42,280 Affan's Casa 185 00:17:42,280 --> 00:17:43,200 Quina 186 00:17:43,200 --> 00:17:43,740 Meti 187 00:17:43,740 --> 00:17:44,360 Ivan 188 00:17:44,360 --> 00:17:46,399 I miss the cathedral 189 00:17:53,260 --> 00:17:56,159 it's under brunelleschi's impressive dome 190 00:17:57,160 --> 00:18:01,960 One of the most dramatic stories of the Italian Renaissance unfolds 191 00:18:31,100 --> 00:18:35,860 Their rivals made a daring assassination attempt on the Medici family 192 00:18:36,980 --> 00:18:38,419 patty family 193 00:18:41,420 --> 00:18:42,800 poi means crazy 194 00:18:42,800 --> 00:18:46,400 They plot to transcend the menu 195 00:18:46,400 --> 00:18:49,520 They even have connections with the Pope 196 00:18:52,780 --> 00:18:55,280 The Battersea family are our mortal enemies. 197 00:18:55,280 --> 00:18:59,240 Rivals of the Medici during the reign of Florence 198 00:19:17,740 --> 00:19:19,540 if you could smile a little 199 00:19:19,540 --> 00:19:21,380 make it glossy 200 00:19:21,380 --> 00:19:23,280 My name is Pipnia 201 00:19:52,820 --> 00:19:55,220 With the blessing of the ferocious Pope Sixtus 202 00:19:55,220 --> 00:19:56,100 fourth time 203 00:20:01,520 --> 00:20:02,900 people and freedom 204 00:20:02,900 --> 00:20:05,139 the conspirators cried 205 00:20:06,740 --> 00:20:11,440 The attack was triggered by an impulse to seize political control of Florence 206 00:20:13,240 --> 00:20:13,920 sir william 207 00:20:13,920 --> 00:20:14,880 Muara 208 00:20:14,880 --> 00:20:15,820 alagonia 209 00:20:15,820 --> 00:20:17,929 Knife to Punto 210 00:20:39,160 --> 00:20:44,860 Lorenzo exacted swift and ruthless revenge for his brother's death 211 00:20:47,180 --> 00:20:52,340 The blood of the enemy stained the streets inside and outside the city. 212 00:20:53,000 --> 00:20:55,380 A reminder of the power of doctors 213 00:20:55,380 --> 00:20:58,360 and the glorification of his brother's death. 214 00:20:59,780 --> 00:21:04,340 Lorenzo catches his brother's murderer 215 00:21:04,340 --> 00:21:08,379 He hanged them outside the palace of justice 216 00:21:23,800 --> 00:21:27,300 Make sure this act of treason is never forgotten 217 00:21:27,300 --> 00:21:32,700 Botticelli was commissioned to make allegedly defamatory paintings 218 00:21:35,460 --> 00:21:36,860 people passing by 219 00:21:36,860 --> 00:21:41,660 to be able to see the images of these conspirators being hanged in disgrace 220 00:21:41,660 --> 00:21:45,660 Here's a clear example of how art can be used to humiliate 221 00:21:45,660 --> 00:21:49,820 People today we see this through renaissance social media 222 00:21:49,820 --> 00:21:50,460 you did it 223 00:21:50,460 --> 00:21:51,840 by public painting 224 00:21:55,200 --> 00:21:59,909 Botticelli's defamatory paintings became powerful propaganda tools 225 00:21:59,909 --> 00:22:03,900 de facto propaganda of Medici supremacy 226 00:22:03,900 --> 00:22:06,500 Consign their views of the attack to history 227 00:22:06,660 --> 00:22:08,600 He was also commissioned 228 00:22:08,600 --> 00:22:12,800 had a more delicate mission, to paint a portrait of his dear friend 229 00:22:12,800 --> 00:22:15,760 Lorenzo's murdered brother Giuliano 230 00:22:16,180 --> 00:22:20,639 This portrait would serve as an example of Giuliano's martyrdom 231 00:22:33,360 --> 00:22:36,480 Prato di Nio Iona photographing the current situation in the National Gallery 232 00:22:36,480 --> 00:22:37,720 wall Shintoism 233 00:22:48,400 --> 00:22:50,500 Memorial portrait of Giuliano 234 00:22:50,500 --> 00:22:53,260 He was based in part on Botticelli's personal knowledge 235 00:22:53,260 --> 00:22:55,659 He knew Giuliano, he met him when he was alive 236 00:22:55,659 --> 00:22:58,440 Now while he was there, he created his eternal image 237 00:23:21,420 --> 00:23:23,200 Casero of Villa 238 00:23:23,200 --> 00:23:24,780 Ella sanita elas 239 00:23:24,780 --> 00:23:26,380 rhythm of ice 240 00:23:26,380 --> 00:23:30,150 Inita de la Motte de los Guardo Abasato 241 00:23:43,330 --> 00:23:45,620 Eibar-Dela Vita Station 242 00:23:50,320 --> 00:23:53,120 I really like the portrait of Giuliani de Medici 243 00:23:54,280 --> 00:24:00,520 His face, the fragility and beauty he created, looked almost real 244 00:24:00,520 --> 00:24:04,540 Bust backwards, face forward 245 00:24:06,680 --> 00:24:09,120 It's intense but somehow quiet 246 00:24:09,120 --> 00:24:10,840 humble and strange 247 00:24:10,840 --> 00:24:20,600 But creating this mysterious and beautiful portrait of a friend is a true form of respect 248 00:24:20,600 --> 00:24:22,240 Someone who has known him for a long time 249 00:24:33,460 --> 00:24:35,200 portrait of giuliano 250 00:24:35,200 --> 00:24:39,260 Confirmed Botticelli's revolutionary talent as a portrait painter 251 00:24:41,720 --> 00:24:46,820 He distanced himself from the established iconic image that was popular at the time 252 00:24:47,980 --> 00:24:51,520 and introduces three frontal postures 253 00:24:51,820 --> 00:24:58,200 His character breaks the fourth wall and looks directly into the audience's eyes 254 00:25:28,780 --> 00:25:30,380 so called meralda bandinelli 255 00:25:30,380 --> 00:25:34,960 This is a very important example 256 00:25:34,960 --> 00:25:40,780 This is the first recorded portrait of a woman looking directly at the viewer 257 00:25:44,240 --> 00:25:47,840 About the same day was Leonardo's Bengui of Geneva 258 00:25:47,840 --> 00:25:49,480 She also looked outside 259 00:25:50,600 --> 00:25:52,000 Because Leonardo is more famous today 260 00:25:52,000 --> 00:25:56,800 He is often considered the first full-face portrait of a woman 261 00:25:56,800 --> 00:25:58,400 But I think it might have been Botticelli 262 00:26:02,700 --> 00:26:03,580 on the side 263 00:26:03,580 --> 00:26:05,480 The audience is looking at the woman 264 00:26:05,480 --> 00:26:06,740 she became an object 265 00:26:06,740 --> 00:26:08,220 But if a complete face 266 00:26:08,220 --> 00:26:09,940 she is looking at you 267 00:26:14,240 --> 00:26:17,400 Women should not look directly at the audience 268 00:26:17,400 --> 00:26:19,640 They are asked to be humble 269 00:26:19,640 --> 00:26:20,740 humble 270 00:26:20,740 --> 00:26:23,620 So in order to keep their gaze downward 271 00:26:26,240 --> 00:26:28,200 She was also very present 272 00:26:28,200 --> 00:26:32,810 in a way that she almost came out of the frame 273 00:26:32,810 --> 00:26:37,300 Her hands stand prominently in the foreground 274 00:26:44,880 --> 00:26:47,400 So you have room for an audience 275 00:26:47,400 --> 00:26:50,520 middle space for hand placement 276 00:26:50,920 --> 00:26:53,620 and the space behind the frame 277 00:27:05,140 --> 00:27:07,860 I like to think of Botticelli as a problem solver 278 00:27:07,860 --> 00:27:10,000 He creates trouble for himself 279 00:27:10,000 --> 00:27:11,280 then he solved them 280 00:27:11,280 --> 00:27:15,360 A good example is the portrait of a young man holding a medal 281 00:27:26,680 --> 00:27:28,980 That patch of grass is actually three D's 282 00:27:28,980 --> 00:27:31,680 it rises from the surface of the panel 283 00:27:32,400 --> 00:27:36,920 So Botticelli had a problem showing his fingers in paint 284 00:27:36,920 --> 00:27:40,200 holding something that actually rises from the surface 285 00:27:42,340 --> 00:27:44,520 No one else has tried to do this before 286 00:27:44,520 --> 00:27:45,660 it is innovative 287 00:27:45,660 --> 00:27:46,700 So bold 288 00:27:47,400 --> 00:27:48,820 it wasn't entirely successful 289 00:27:48,820 --> 00:27:51,540 But this is a huge challenge he gave himself 290 00:27:53,400 --> 00:27:53,880 we forgot 291 00:27:53,880 --> 00:27:57,730 He was sometimes one of the greatest portrait painters of the Renaissance 292 00:27:57,730 --> 00:27:59,100 We understand their expressions 293 00:27:59,100 --> 00:28:00,410 we know their character 294 00:28:00,410 --> 00:28:01,970 they are very vivid 295 00:28:01,970 --> 00:28:05,580 They felt like eyewitness descriptions of his age. 296 00:28:07,140 --> 00:28:09,200 He really filled out his painting 297 00:28:09,200 --> 00:28:10,340 They're like a who's who 298 00:28:10,340 --> 00:28:14,440 we can see faces from history 299 00:28:14,440 --> 00:28:16,919 In Botticelli's paintings they come alive 300 00:28:32,800 --> 00:28:37,280 Lorenzo knew how to harness the talents of his best artists 301 00:28:38,280 --> 00:28:40,700 After the scapegoat plot 302 00:28:40,920 --> 00:28:43,380 2. He tried his best 303 00:28:43,380 --> 00:28:47,400 End the outright war with Pope Sixtus 304 00:28:47,400 --> 00:28:48,600 iv 305 00:28:48,600 --> 00:28:49,960 scapegoat ally 306 00:28:58,000 --> 00:29:02,580 The wrath of the cruel and powerful Pope must be appeased 307 00:29:16,800 --> 00:29:18,440 Lorenz is a politician 308 00:29:18,440 --> 00:29:20,320 he made peace with the pope 309 00:29:20,320 --> 00:29:23,600 Of course he has to 310 00:29:24,400 --> 00:29:28,440 What did Lorenzo give to the greatest artist of his time? 311 00:29:34,380 --> 00:29:35,880 Renaissance in Italian Art 312 00:29:35,880 --> 00:29:39,720 cemented relationships and actually changed part of history 313 00:29:39,720 --> 00:29:43,380 So Lorenzo arranged for some of the most important painters of the time to 314 00:29:43,380 --> 00:29:44,180 go to rome 315 00:29:44,180 --> 00:29:46,160 Working for Pope Sixtus 316 00:29:46,160 --> 00:29:48,879 Painting the walls of the Sistine Chapel 317 00:30:04,620 --> 00:30:05,340 Cosimo 318 00:30:05,340 --> 00:30:10,659 Rosselli and Perugino worked at the same place at the same time 319 00:30:13,540 --> 00:30:15,770 The Pope's demands are clear 320 00:30:15,770 --> 00:30:17,990 Artists had to create murals 321 00:30:17,990 --> 00:30:23,700 This explains the absolute supremacy of the divinely appointed papal power 322 00:30:25,960 --> 00:30:27,540 compete with each other 323 00:30:27,540 --> 00:30:30,220 Painters work on the same subject 324 00:30:30,220 --> 00:30:33,440 The story of Moses and Christ 325 00:30:33,500 --> 00:30:36,000 Botticelli painted three 326 00:30:51,600 --> 00:30:55,560 A work showing Moses' early life here 327 00:30:55,560 --> 00:30:58,980 He combined seven different scenes into one mural 328 00:31:02,300 --> 00:31:03,520 There are scary scenes 329 00:31:03,520 --> 00:31:08,320 A murder occurred when Moses killed an Egyptian 330 00:31:13,880 --> 00:31:16,879 Another scene is the three temptations of Christ 331 00:31:20,200 --> 00:31:23,240 What does Shelley appear in three different parts of the scene? 332 00:31:23,240 --> 00:31:26,320 So it encourages you to look around 333 00:31:29,700 --> 00:31:33,620 Perhaps the most important scene is the story of the Sons of Goron 334 00:31:33,620 --> 00:31:37,620 Here, he packs three different scenes into one panel 335 00:31:38,300 --> 00:31:39,260 in foreground 336 00:31:39,260 --> 00:31:43,120 We see the punishment of those who rebelled against Moses 337 00:31:45,360 --> 00:31:49,200 Throughout Botticelli’s career we see his storytelling skills 338 00:31:50,660 --> 00:31:53,800 Monticelli Mario Anker 339 00:31:53,800 --> 00:31:55,380 my journey 340 00:31:55,380 --> 00:31:58,400 My parents, Motorola 341 00:31:58,400 --> 00:31:59,700 tour 342 00:32:01,200 --> 00:32:07,800 Crystal Go Hire Leo Me Me Orasono Tutrujgio 343 00:32:09,680 --> 00:32:11,800 Botticelli conquers Rome 344 00:32:11,800 --> 00:32:15,500 But the Eternal City failed to conquer him 345 00:32:19,800 --> 00:32:21,320 at the peak of his career 346 00:32:21,320 --> 00:32:25,300 Rich and famous Botticelli returns to Florence 347 00:32:25,480 --> 00:32:29,899 and painted a masterpiece that would become a global icon 348 00:33:05,920 --> 00:33:06,940 in florence 349 00:33:06,940 --> 00:33:08,440 Supported by Medici 350 00:33:08,440 --> 00:33:12,879 The belief that art should be more than just religious decoration 351 00:33:22,820 --> 00:33:26,720 Their city produced some of the most talented artists of the Renaissance 352 00:33:26,720 --> 00:33:29,440 Fully support their creativity 353 00:33:29,620 --> 00:33:35,140 Botticelli returns to this hive of innovation and free speech 354 00:33:35,140 --> 00:33:37,139 in 1483 355 00:33:46,200 --> 00:33:50,100 I would say Renaissance Florentine artists 356 00:33:50,100 --> 00:33:52,620 Almost the same as when I was growing up in the 80s and 90s 357 00:33:52,620 --> 00:33:53,690 It’s in New York City 358 00:33:53,690 --> 00:33:55,770 A parallel approach to the art scene 359 00:33:55,770 --> 00:33:58,800 The way artists react to each other 360 00:34:02,600 --> 00:34:08,420 Enough to imagine a street crowded with artists, craftsmen and assistants 361 00:34:08,420 --> 00:34:09,440 they know each other 362 00:34:09,440 --> 00:34:10,780 they are friends 363 00:34:10,780 --> 00:34:11,900 they are competitors 364 00:34:11,900 --> 00:34:12,360 Yes 365 00:34:12,360 --> 00:34:15,780 They are also collaborators on some projects 366 00:34:18,659 --> 00:34:23,409 In the studio you have a lot of space for the exchange of ideas 367 00:34:23,409 --> 00:34:25,569 So the master is the master 368 00:34:25,569 --> 00:34:26,890 Then what? 369 00:34:26,890 --> 00:34:29,949 Of course there are many collaborators and assistants 370 00:34:29,949 --> 00:34:31,280 more or less trained 371 00:34:48,899 --> 00:34:54,379 She has news about Tiga Desandra 372 00:34:54,379 --> 00:34:55,380 Go to ET 373 00:34:57,390 --> 00:35:03,330 Just like Visa Rank Vera, I can play chess 374 00:35:03,330 --> 00:35:06,390 So Madonna in Manity Grande 375 00:35:06,390 --> 00:35:10,980 Although you will like Sharon here 376 00:35:10,980 --> 00:35:12,400 You Fitz 377 00:35:27,740 --> 00:35:28,900 at the seminar 378 00:35:28,900 --> 00:35:32,260 The main works are devotional pictures 379 00:35:32,260 --> 00:35:38,850 and children of saints and children tender to angels in many different variations of composition 380 00:35:38,850 --> 00:35:42,980 Work from drawings made by masters 381 00:35:43,820 --> 00:35:47,520 So Botticelli was very good at creating prototypes 382 00:35:47,520 --> 00:35:54,380 The formula for success can be reinterpreted and still have this huge impact 383 00:36:05,459 --> 00:36:08,559 His workshop was a bustling business place 384 00:36:08,559 --> 00:36:10,980 Produce lots of art 385 00:36:15,740 --> 00:36:16,200 here 386 00:36:16,200 --> 00:36:17,700 through constant practice 387 00:36:17,700 --> 00:36:21,540 Botticelli was able to improve his style and technique 388 00:36:21,660 --> 00:36:23,640 Perfect use of light 389 00:36:23,640 --> 00:36:25,980 texture and color 390 00:36:26,260 --> 00:36:33,539 The most important is his painting Lil Deseo de contoro de la figura 391 00:36:33,539 --> 00:36:33,899 Richard 392 00:36:33,899 --> 00:36:34,719 Tament 393 00:36:34,719 --> 00:36:37,979 Alabaza de Arte de Botticelli 394 00:36:42,700 --> 00:36:47,300 Botticelli inventor cotto model la laboratory 395 00:36:54,140 --> 00:36:55,340 vista putto 396 00:36:55,340 --> 00:36:56,660 Technology Botticellien 397 00:36:56,660 --> 00:36:57,100 legato 398 00:36:57,100 --> 00:36:59,100 Physician 399 00:36:59,100 --> 00:37:00,120 Cori stand 400 00:37:00,120 --> 00:37:01,220 Tao 401 00:37:01,220 --> 00:37:02,580 lala and cora 402 00:37:09,820 --> 00:37:12,000 all original easy 403 00:37:24,800 --> 00:37:28,560 The center ion is this is a digital mulatto 404 00:37:57,540 --> 00:37:59,480 in 1493 405 00:37:59,540 --> 00:38:02,220 While visiting Florence and its workshops 406 00:38:02,220 --> 00:38:03,780 Looking for talent 407 00:38:03,780 --> 00:38:07,640 Agent of Ludovico il Moreau, Duke of Milan 408 00:38:07,640 --> 00:38:10,920 Sandra di Botticelli wrote 409 00:38:10,920 --> 00:38:12,120 the best painter 410 00:38:12,120 --> 00:38:13,420 on panels and walls 411 00:38:13,420 --> 00:38:14,980 There's a masculine quality to his stuff 412 00:38:14,980 --> 00:38:18,330 All using the best methods and perfect proportions 413 00:38:18,330 --> 00:38:19,770 It could almost be a tweet 414 00:38:19,770 --> 00:38:21,180 so simple 415 00:38:27,520 --> 00:38:29,600 The agent gives this report 416 00:38:29,600 --> 00:38:32,360 Botticelli came first, it was clearly a competitive environment 417 00:38:32,360 --> 00:38:34,480 he is against the filipino people 418 00:38:34,480 --> 00:38:37,340 Lippi Perugino and Gian Di 419 00:38:38,760 --> 00:38:40,800 These were the greatest artists of their time 420 00:38:40,800 --> 00:38:44,520 So we know Botticelli was taken very seriously 421 00:38:47,379 --> 00:38:48,839 What does this letter mean? 422 00:38:48,839 --> 00:38:51,320 The first part is easy to understand 423 00:38:51,439 --> 00:38:54,239 He thought Botticelli was an excellent painter. 424 00:38:54,239 --> 00:38:55,499 So are we 425 00:38:55,499 --> 00:39:00,240 But then he said there was a masculine quality to Botticelli's paintings 426 00:39:00,240 --> 00:39:01,740 that doesn't make any sense 427 00:39:01,740 --> 00:39:04,520 We associate Vio with strong men 428 00:39:05,660 --> 00:39:08,600 The author of this letter is trying to tell us 429 00:39:08,600 --> 00:39:13,120 Botticelli's works have the qualities of a mature man 430 00:39:14,640 --> 00:39:17,600 their balance their proportions 431 00:39:17,600 --> 00:39:19,900 they have everything they need 432 00:39:19,900 --> 00:39:23,400 they have a sense of perfection 433 00:39:51,159 --> 00:39:54,540 Between fourteen seventy-eight and fourteen eighty-two 434 00:39:54,700 --> 00:39:59,560 Botticelli worked on a huge panel measuring 2 meters by 3 meters 435 00:39:59,560 --> 00:40:01,820 Lorenzo's villa 436 00:40:01,820 --> 00:40:03,760 The palatial cousin 437 00:40:09,399 --> 00:40:13,120 This painting is destined to leave a mark forever 438 00:41:27,600 --> 00:41:29,740 ambiguous 439 00:41:29,740 --> 00:41:34,260 The truth is, you can’t be sure what beauty means 440 00:41:45,680 --> 00:41:49,540 This is one of those works that you can look at for centuries 441 00:41:49,540 --> 00:41:53,220 and always find something new and interesting to inspire 442 00:41:56,259 --> 00:42:02,790 It is the first extant painting showing ancient gods on a large scale since ancient times. 443 00:42:02,790 --> 00:42:06,930 It must have been extraordinary for the original audience to read about these gods 444 00:42:06,930 --> 00:42:08,430 they have heard of them 445 00:42:08,430 --> 00:42:11,800 But now they can see Venus and Mercury 446 00:42:16,379 --> 00:42:19,539 It’s a passage from one of its ancient articles 447 00:42:19,539 --> 00:42:25,279 It says that when Klaus was kidnapped by Zephyr 448 00:42:25,279 --> 00:42:28,320 Aeolian roses emerged from her mouth 449 00:42:29,620 --> 00:42:33,940 She became the original goddess 450 00:42:33,940 --> 00:42:37,540 It means spring roses are coming out of her mouth 451 00:42:37,540 --> 00:42:40,480 How do you prove that Shelley found a way 452 00:42:40,480 --> 00:42:43,600 in a way that looks elegant and beautiful 453 00:42:49,339 --> 00:42:53,219 On the right we see images of violent abductions 454 00:42:54,259 --> 00:42:54,499 west wind 455 00:42:54,499 --> 00:42:58,260 Aeolus comes out of the tree to catch Clark 456 00:43:03,120 --> 00:43:04,660 and Venus in the center 457 00:43:04,660 --> 00:43:08,840 This incredibly beautiful yet quietly powerful woman 458 00:43:11,660 --> 00:43:14,240 Three elegant people dancing forever 459 00:43:14,240 --> 00:43:16,460 Then there's Mercury who's escaping 460 00:43:16,460 --> 00:43:19,780 The clouds won't ruin this beautiful spring day 461 00:43:20,439 --> 00:43:23,650 If you think of it purely as an allegory of spring 462 00:43:23,650 --> 00:43:24,670 paintings 463 00:43:24,670 --> 00:43:26,330 If you start looking at all the details 464 00:43:26,330 --> 00:43:31,370 You begin to understand the cultural and philosophical climate in which Botticelli lived 465 00:43:31,370 --> 00:43:34,680 You realize it might take a lifetime to unravel the picture 466 00:43:55,600 --> 00:44:01,850 He found Giardino Colaba and Dior Neil Costa to be a perfect match 467 00:44:13,219 --> 00:44:14,339 Botticelli 468 00:44:14,339 --> 00:44:15,579 I'm in Perato 469 00:44:15,579 --> 00:44:16,759 ILO era 470 00:44:16,759 --> 00:44:19,379 You give the German philosopher a Corteddy 471 00:44:19,379 --> 00:44:22,200 Lorenzo becomes CEO Chino 472 00:44:24,560 --> 00:44:25,760 in spring 473 00:44:25,760 --> 00:44:29,680 The background resembles a medieval tapestry 474 00:44:29,680 --> 00:44:35,400 You paid a beautiful tribute to nature with these different plants 475 00:44:35,759 --> 00:44:37,599 It is also very decorative 476 00:44:37,599 --> 00:44:44,309 But it goes beyond images of reality to convey images of the golden age 477 00:44:44,309 --> 00:44:47,000 just like the garden of eden 478 00:44:49,899 --> 00:44:50,779 every number 479 00:44:50,779 --> 00:44:51,699 every flower 480 00:44:51,699 --> 00:44:54,960 We see him observing the natural world very carefully 481 00:44:56,640 --> 00:44:58,580 Then we see his fantasy world 482 00:44:58,580 --> 00:45:01,920 Botticelli and his advisors were looking at various sources 483 00:45:01,920 --> 00:45:05,840 He brings them together in a new poetic way 484 00:45:32,620 --> 00:45:34,700 Poets at that time praised him 485 00:45:35,780 --> 00:45:37,940 philosophers worked with him 486 00:45:39,220 --> 00:45:42,180 Renaissance art is often deeply symbolic 487 00:45:42,180 --> 00:45:46,460 Botticelli is famous for his multi-layered symbolism 488 00:45:46,460 --> 00:45:48,580 enigmatic painting 489 00:45:50,190 --> 00:45:52,459 Known as the Botticlan Myth 490 00:45:52,459 --> 00:45:55,899 He can combine Christian values with mythology 491 00:45:55,899 --> 00:45:58,140 The image of the pagan is beautiful 492 00:46:01,439 --> 00:46:05,340 His palace and centaurs are a perfect example 493 00:46:13,200 --> 00:46:14,100 Botticelli Era 494 00:46:14,100 --> 00:46:17,190 There is a renewed interest in ancient Rome. 495 00:46:17,190 --> 00:46:20,300 People are interested in ancient art and ancient architecture 496 00:46:20,300 --> 00:46:22,820 Also in the mythology of the time 497 00:46:22,899 --> 00:46:28,390 Botticelli was able to make these myths come alive in the palace 498 00:46:28,390 --> 00:46:28,979 among centaurs 499 00:46:28,979 --> 00:46:32,200 You see virtue triumph over evil 500 00:46:32,660 --> 00:46:34,760 So this is an educational work 501 00:46:47,100 --> 00:46:50,680 and palmaria 502 00:46:58,830 --> 00:47:01,610 So he went to Thomas 503 00:47:01,610 --> 00:47:04,320 So I will do the same 504 00:47:07,200 --> 00:47:10,520 Botticelli was the perfect storyteller of the Italian Renaissance 505 00:47:10,520 --> 00:47:13,170 Because he is almost 360 degrees 506 00:47:13,170 --> 00:47:14,810 He doesn't do pagan stuff 507 00:47:14,810 --> 00:47:15,330 pagan 508 00:47:15,330 --> 00:47:16,650 He doesn't do Christian stuff 509 00:47:16,650 --> 00:47:20,260 Christian, everything flows and blends together 510 00:47:23,339 --> 00:47:29,599 o dono means de Lorenzo Cuo has bossa half armida piano 511 00:47:29,599 --> 00:47:32,600 mr piombino 512 00:47:34,660 --> 00:47:38,200 Ibraviera Este de la Dia icon 513 00:47:38,200 --> 00:47:41,140 Medici Kay Presa de Loreno 514 00:47:42,319 --> 00:47:44,999 We can also use it as a sign 515 00:47:44,999 --> 00:47:49,819 You can imagine these three circles creating an image that stays in your mind 516 00:47:49,819 --> 00:47:54,960 It easily became and transferred to today's culture as an icon 517 00:47:54,960 --> 00:47:59,180 Or the idea of branding as we know it today 518 00:47:59,180 --> 00:48:01,000 Branding started in the past 519 00:48:01,000 --> 00:48:02,980 it continues into the future 520 00:48:06,620 --> 00:48:11,220 Botticelli became a master at interpreting his client's wishes 521 00:48:12,660 --> 00:48:18,100 layering his paintings with visible and invisible references to their lives 522 00:48:31,419 --> 00:48:32,919 Venus and Mars 523 00:48:32,919 --> 00:48:34,879 among its many secrets 524 00:48:34,879 --> 00:48:36,920 Hidden a badge 525 00:48:41,220 --> 00:48:43,100 This is a very powerful painting 526 00:48:43,100 --> 00:48:46,700 But he's also painting a picture that will please his commissioners 527 00:48:46,700 --> 00:48:47,960 Because they are in the painting 528 00:48:47,960 --> 00:48:48,300 me too 529 00:48:48,300 --> 00:48:49,860 If you look closely at the tree trunk 530 00:48:49,860 --> 00:48:51,590 These little wasps appear 531 00:48:51,590 --> 00:48:54,240 They are the symbols of the Vespucci family 532 00:48:55,899 --> 00:48:57,639 it says something about them 533 00:48:57,639 --> 00:48:58,459 about their power 534 00:48:58,459 --> 00:48:59,710 about their situation 535 00:48:59,710 --> 00:49:00,110 about them 536 00:49:00,110 --> 00:49:03,150 In this city are intellectuals and new readers 537 00:49:03,150 --> 00:49:06,360 filled with books and new ideas 538 00:49:23,299 --> 00:49:27,520 We see beautiful Venus leaning over the side 539 00:49:27,919 --> 00:49:31,979 Mars on the other side is exhausted 540 00:49:31,979 --> 00:49:34,600 After a loving hug with the one I love 541 00:49:36,700 --> 00:49:38,620 We see these little half-people 542 00:49:38,620 --> 00:49:39,380 half goat 543 00:49:39,380 --> 00:49:44,400 These little cedars were running around and playing with Maurice's mother 544 00:49:45,859 --> 00:49:49,600 So it's fun, it's a beautiful job 545 00:49:52,960 --> 00:49:55,800 This incredibly bold painting 546 00:49:55,800 --> 00:49:56,320 they are together 547 00:49:56,320 --> 00:49:57,940 after the behavior 548 00:49:57,940 --> 00:49:59,700 They could almost have a cigarette 549 00:49:59,700 --> 00:50:02,440 she was so powerful in that scene 550 00:50:02,440 --> 00:50:04,800 Mars is completely asleep 551 00:50:06,240 --> 00:50:09,000 This woman seems to have all the power 552 00:50:16,660 --> 00:50:20,200 Botticelli's women come from his mighty Venus 553 00:50:20,200 --> 00:50:22,170 beautiful madonna 554 00:50:22,170 --> 00:50:28,260 and the elegance of spring have a short-lived perfect beauty 555 00:50:28,359 --> 00:50:33,540 Did Botticelli have a muse who embodied all these attributes? 556 00:50:37,379 --> 00:50:39,919 Legend claims Simonetta Vespucci 557 00:50:39,919 --> 00:50:43,410 his neighbor and an incomparably beautiful woman 558 00:50:43,410 --> 00:50:46,330 Much loved by Giuliano de' Medici 559 00:50:46,330 --> 00:50:48,320 Maybe his model 560 00:50:51,939 --> 00:50:57,380 Simonetta was only two or three years old when she died in 1476 561 00:51:05,939 --> 00:51:08,699 The perfect attributes of the legendary muse 562 00:51:09,819 --> 00:51:11,000 but she is 563 00:51:11,660 --> 00:51:12,140 I think 564 00:51:12,140 --> 00:51:14,520 Botticelli had such a great imagination 565 00:51:14,520 --> 00:51:19,900 There may not be a woman in the world who is worthy enough to be his muse 566 00:51:20,160 --> 00:51:23,400 I think he has a lot of different sources 567 00:51:23,400 --> 00:51:26,210 He understood that he needed to create an ideal woman 568 00:51:26,210 --> 00:51:28,790 So he will create her from many places 569 00:51:28,790 --> 00:51:30,420 many sources 570 00:51:30,799 --> 00:51:35,379 But it's extremely tempting to think Simonetta is Venus 571 00:51:35,379 --> 00:51:37,520 live in florence 572 00:51:38,879 --> 00:51:43,679 The concept of beauty created by Botticelli stems from a single origin 573 00:51:43,679 --> 00:51:45,360 is compulsive 574 00:51:45,419 --> 00:51:48,960 Continuously explore common patterns 575 00:52:14,730 --> 00:52:17,860 Seek harmony and proportion 576 00:52:20,460 --> 00:52:23,780 Botticelli's beautiful goddess 577 00:52:23,780 --> 00:52:25,800 rising from the sea 578 00:52:25,800 --> 00:52:27,580 blown by the wind 579 00:53:54,319 --> 00:53:56,300 The birth of Venus 580 00:53:58,680 --> 00:54:01,580 one of the greatest masterpieces of all time 581 00:54:09,379 --> 00:54:11,679 Not only did we see an ancient goddess 582 00:54:11,679 --> 00:54:13,979 But maybe for the first time in ancient times 583 00:54:13,979 --> 00:54:16,299 We see full frontal nudity 584 00:54:16,299 --> 00:54:18,640 she's naked 585 00:54:19,299 --> 00:54:22,880 She covers herself in a way that's more revealing than she conceals 586 00:54:23,319 --> 00:54:24,559 her hair is flowing 587 00:54:24,559 --> 00:54:25,190 wind 588 00:54:25,190 --> 00:54:26,779 her curtains are moving 589 00:54:26,779 --> 00:54:29,400 We see roses flying in the air 590 00:54:30,700 --> 00:54:31,900 so naked 591 00:54:31,900 --> 00:54:33,220 goddesses 592 00:54:33,220 --> 00:54:34,760 movement itself 593 00:54:34,760 --> 00:54:38,420 All of these are qualities or numbers from the ancient world 594 00:54:38,420 --> 00:54:41,860 Reborn in the time of Botticelli 595 00:55:01,140 --> 00:55:05,960 Decoration and Twelve in My Boy Decoration General 596 00:55:08,899 --> 00:55:12,600 This is a recognition of beauty and love 597 00:55:13,280 --> 00:55:16,880 It's very interesting to see these beautiful ideas 598 00:55:16,880 --> 00:55:22,410 Shown in Primavera between all these female figures is 599 00:55:22,410 --> 00:55:27,400 In the way that Venus is concentrated and embodied in the birth of Venus 600 00:55:28,839 --> 00:55:32,679 At this point, Botticelli will extract the figure 601 00:55:32,679 --> 00:55:40,780 and replicate it on a black background as a personal image as the epitome of beauty 602 00:55:46,479 --> 00:55:52,639 We know that he designed this ideal beauty to fascinate the learned 603 00:55:52,639 --> 00:55:54,200 as an uneducated person 604 00:56:08,240 --> 00:56:10,400 many of your contemporaries 605 00:56:10,400 --> 00:56:12,800 A long giraffe that can carry a mini 606 00:56:12,800 --> 00:56:13,280 like a thin man 607 00:56:13,280 --> 00:56:15,100 tortillas 608 00:56:58,200 --> 00:57:01,860 In Botticelli you have a beautiful repertoire 609 00:57:01,860 --> 00:57:03,780 female beauty 610 00:57:05,399 --> 00:57:07,790 so are they 611 00:57:07,790 --> 00:57:11,640 Much like the type in Botticelli's work 612 00:57:14,240 --> 00:57:16,180 they are all the same 613 00:57:16,180 --> 00:57:18,560 but they are all different 614 00:57:43,660 --> 00:57:47,320 Lorenzo's big gamble pays off 615 00:57:48,680 --> 00:57:52,460 Florence has become Italy's capital of art and culture 616 00:57:57,379 --> 00:58:02,140 1492, the year Lorenzo died 617 00:58:06,680 --> 00:58:08,280 after his death 618 00:58:08,280 --> 00:58:11,420 Ideal beauty will be banned from Florence 619 00:58:13,200 --> 00:58:14,380 its new leader 620 00:58:14,380 --> 00:58:17,520 turn everything into ashes 621 00:58:31,160 --> 00:58:31,580 Oh 622 00:58:31,580 --> 00:58:32,000 Florence 623 00:58:33,800 --> 00:58:36,520 Your sin will bring a lot of harm 624 00:58:38,540 --> 00:58:39,180 pastor 625 00:58:40,220 --> 00:58:43,580 There's a storm here for your wrongdoings 626 00:58:46,280 --> 00:58:52,140 Otherwise the Lord Almighty God will never look at you again 627 00:58:55,359 --> 00:58:57,119 Said this from his pulpit 628 00:58:57,119 --> 00:59:00,760 Pagan monk Girolamo Savonarola 629 00:59:01,439 --> 00:59:05,400 So veto Yura among MPs 630 00:59:11,900 --> 00:59:12,610 I really like Christianity 631 00:59:12,610 --> 00:59:13,790 stars 632 00:59:13,790 --> 00:59:17,560 Crito steers and does in Gal 633 00:59:36,780 --> 00:59:38,100 February 7 634 00:59:38,100 --> 00:59:39,920 1497 635 00:59:40,220 --> 00:59:44,500 Burning Pyramid in Signoria Square 636 00:59:44,959 --> 00:59:49,680 it will be called the bonfire of the vanities 637 00:59:49,680 --> 00:59:49,800 statue it will be called the bonfire of the vanities 638 00:59:49,800 --> 00:59:50,480 statue 639 00:59:50,480 --> 00:59:55,800 Huge beautiful books and paintings in flames 640 00:59:58,460 --> 01:00:01,320 If Ten People on DV Freddie Shanri 641 01:00:01,320 --> 01:00:07,660 any concerto star 642 01:00:11,600 --> 01:00:12,580 after Lorenzo's death 643 01:00:12,580 --> 01:00:15,160 Gorgeous Girolamo Savonarola 644 01:00:15,160 --> 01:00:16,840 with dire prophecies 645 01:00:16,840 --> 01:00:21,960 Captured the popular imagination and became the leader of Florence 646 01:00:24,140 --> 01:00:27,200 Against clergy and political corruption 647 01:00:27,200 --> 01:00:29,800 he took control of the city 648 01:00:30,339 --> 01:00:34,559 More than 10,000 people crowded into the church and square 649 01:00:34,559 --> 01:00:36,780 listen to his sermon 650 01:00:47,460 --> 01:00:49,900 ilmodo dididire 651 01:00:49,900 --> 01:00:50,210 Christopher Acho 652 01:00:50,210 --> 01:00:51,530 she ravinemar 653 01:00:51,530 --> 01:00:55,410 In a sense, she is an extra person 654 01:00:55,410 --> 01:00:57,930 Continuous Entry into Ventura Ventura 655 01:00:57,930 --> 01:00:58,350 I said 656 01:00:58,350 --> 01:01:00,780 if you were on anita 657 01:01:04,400 --> 01:01:05,640 Botticelli was very ahead of his time 658 01:01:05,640 --> 01:01:07,780 But in fact Savonarola was very ahead of his time 659 01:01:07,780 --> 01:01:10,340 he's like a political activist 660 01:01:11,180 --> 01:01:12,700 You use a printing press 661 01:01:12,700 --> 01:01:14,500 The way he talks is unbelievable 662 01:01:14,500 --> 01:01:16,900 He was one of the greatest orators of his time 663 01:01:16,900 --> 01:01:20,920 He created a huge turnaround in the city 664 01:01:21,180 --> 01:01:23,760 Savonarola prevented the Golden Age 665 01:01:23,760 --> 01:01:25,260 died with his sermons 666 01:01:25,260 --> 01:01:26,720 He scared everyone 667 01:01:26,720 --> 01:01:30,140 So you go from light into darkness 668 01:01:33,100 --> 01:01:35,380 Botticelli must create art for a new era 669 01:01:35,380 --> 01:01:36,640 His clients are now 670 01:01:36,640 --> 01:01:39,600 Even if they want those beautiful Venus 671 01:01:39,600 --> 01:01:41,160 They can't ask for more from them 672 01:01:43,200 --> 01:01:46,640 suddenly everything becomes pure and quiet 673 01:01:46,640 --> 01:01:51,540 and Moral Botticelli was very good at converting and making this work 674 01:01:55,180 --> 01:01:58,440 Botticelli's work is stylistically ecstatic 675 01:01:58,440 --> 01:01:59,700 Of course 676 01:02:06,140 --> 01:02:08,660 It’s not that Savonarola was against art 677 01:02:08,660 --> 01:02:10,800 But he uses art as a mediator 678 01:02:10,800 --> 01:02:15,400 So art should lead you towards the invisible 679 01:02:15,400 --> 01:02:16,840 toward the sacred 680 01:02:18,240 --> 01:02:23,600 Therefore, you cannot be deterred by a very beautiful image 681 01:02:23,600 --> 01:02:29,440 Because it won’t move you in the direction of meditation and the sacred 682 01:02:34,899 --> 01:02:37,899 The biggest question mark is Botticelli 683 01:02:37,899 --> 01:02:39,860 Followers of Savonarola 684 01:02:41,339 --> 01:02:41,839 personal 685 01:02:41,839 --> 01:02:42,999 I don't think so 686 01:02:42,999 --> 01:02:45,550 Because for such a creative mind 687 01:02:45,550 --> 01:02:49,750 you will cause such a crisis, it will stop making 688 01:02:49,750 --> 01:02:51,840 it will stop completely 689 01:02:54,540 --> 01:02:58,220 Was Botticelli a follower of Savonarola? 690 01:02:59,000 --> 01:03:03,859 So little is known about his personal life that art historians remain divided 691 01:03:03,859 --> 01:03:08,479 They agreed that there had been a gradual but drastic change in his style 692 01:03:08,479 --> 01:03:12,120 This coincides with the monks taking power 693 01:03:22,200 --> 01:03:23,620 if we go to san marco 694 01:03:23,620 --> 01:03:25,740 Samuel Ella himself was a pioneer 695 01:03:25,740 --> 01:03:29,560 This is pretty much the center of Samuel Ola’s fiery sermon 696 01:03:29,560 --> 01:03:31,560 Says everyone needs to repent 697 01:03:31,560 --> 01:03:34,640 If you look at the altarpiece he painted there 698 01:03:40,700 --> 01:03:42,980 Suddenly all the gold came back 699 01:03:42,980 --> 01:03:44,380 in a vision of heaven 700 01:03:44,380 --> 01:03:45,140 clouds 701 01:03:45,140 --> 01:03:46,280 God's vision 702 01:03:46,280 --> 01:03:48,600 like something from another era 703 01:04:28,860 --> 01:04:35,320 folio or lava kantian rake to figures 704 01:04:47,919 --> 01:04:53,479 aku savian razo 3d main character grazivit 705 01:04:53,479 --> 01:04:55,840 Techniques for Dural Journey 706 01:05:02,200 --> 01:05:05,900 The age of the ancient gods is over 707 01:05:06,660 --> 01:05:09,300 replaced by religiosity 708 01:05:09,700 --> 01:05:11,100 reflected in gloom 709 01:05:11,100 --> 01:05:16,620 The sad, sacred images in his paintings disappeared 710 01:05:16,620 --> 01:05:18,640 It's the lightness of his Venus touch 711 01:05:19,840 --> 01:05:22,720 Jesus Christ takes center stage 712 01:05:23,220 --> 01:05:26,260 I find the most moving paintings by Botticelli 713 01:05:26,260 --> 01:05:29,320 It was his lament in Milan 714 01:05:47,140 --> 01:05:52,300 Extraordinary quality is how all the figures are moved into the foreground 715 01:05:54,400 --> 01:05:57,120 They are stacked together as if one is on top of the other 716 01:05:57,220 --> 01:05:59,860 The neck of the character in the body is twisted 717 01:05:59,860 --> 01:06:03,320 They don't follow the laws of nature and we've seen this before 718 01:06:03,320 --> 01:06:07,000 How Botticelli Transformed His Body for Beauty 719 01:06:07,000 --> 01:06:09,300 Here he contorts his body 720 01:06:09,300 --> 01:06:13,520 To convey the grief of followers of Christ 721 01:06:15,959 --> 01:06:22,280 Without Ferrat Ante and Pianto Leo Mona de Alli 722 01:06:37,799 --> 01:06:39,359 she saw piton 723 01:06:39,359 --> 01:06:40,790 I'm crazy 724 01:06:40,790 --> 01:06:41,290 Dalena 725 01:06:58,960 --> 01:07:03,300 I think one of the most iconic pieces is the Painted Cross 726 01:07:03,300 --> 01:07:04,940 it's on the plateau now 727 01:07:08,319 --> 01:07:10,859 When you look at this beautiful Christ 728 01:07:10,859 --> 01:07:14,959 You can see how successfully Botticelli conveyed austerity 729 01:07:14,959 --> 01:07:16,180 convey 730 01:07:23,980 --> 01:07:28,440 The torture of Christ has become a peaceful meditative gesture 731 01:07:43,399 --> 01:07:45,500 by Botticelli 732 01:07:45,640 --> 01:07:49,400 We Witness the Great Transformation of the Renaissance 733 01:07:49,400 --> 01:07:51,360 Florence without Lorenzo 734 01:07:51,360 --> 01:07:56,480 A majestic building that was once a powerhouse of creativity plunges into darkness 735 01:07:57,480 --> 01:07:58,640 uncertain times 736 01:07:58,640 --> 01:07:59,780 follow 737 01:08:01,200 --> 01:08:04,460 Leading to Savonarola's execution 738 01:08:04,460 --> 01:08:04,600 May 2, 3, 1998 Leading to Savonarola's execution 739 01:08:04,600 --> 01:08:07,180 May 2, 3, 1998 740 01:08:07,180 --> 01:08:10,540 Monks were hanged and burned at the stake 741 01:08:10,540 --> 01:08:13,220 Main square in Florence 742 01:08:32,859 --> 01:08:38,950 She tries a virtual army in this part to Uno fa is suo capooro 743 01:08:38,950 --> 01:08:40,779 This Ashitami sticker 744 01:08:54,479 --> 01:08:57,779 Use a pin to enter a non-Para National Zoo 745 01:08:57,779 --> 01:09:00,720 Basta Paramondo 746 01:09:25,859 --> 01:09:28,459 The missing nactivity in the upper part of the painting 747 01:09:28,459 --> 01:09:32,389 They are angels holding inscribed scrolls 748 01:09:32,389 --> 01:09:37,229 These inscriptions come directly from Savonarola's sermons 749 01:09:37,229 --> 01:09:38,389 There's solid evidence here 750 01:09:38,389 --> 01:09:42,429 There is no doubt that Botticelli was a follower of Savonarola 751 01:09:42,429 --> 01:09:44,620 At least when he painted this 752 01:09:48,590 --> 01:09:48,618 here 753 01:09:48,618 --> 01:09:54,580 But in fact this naturalistic spatial rendering is completely abandoned 754 01:09:54,580 --> 01:09:57,280 Back to the previous example 755 01:09:57,280 --> 01:10:03,470 The proportions of the main characters are greater than the proportions of the minor characters 756 01:10:03,470 --> 01:10:05,770 In terms of hierarchy in space 757 01:10:05,770 --> 01:10:08,290 But you still have the register on 758 01:10:08,290 --> 01:10:10,210 These angels are playing and dancing 759 01:10:10,210 --> 01:10:16,330 You could consider this a golden age to commemorate these celebrations 760 01:10:16,330 --> 01:10:19,470 Theater performances throughout the city 761 01:10:29,320 --> 01:10:31,500 What we know about Botticelli 762 01:10:31,500 --> 01:10:34,560 We know it mainly from his paintings 763 01:10:35,519 --> 01:10:39,120 He is an excellent storyteller 764 01:10:39,860 --> 01:10:43,160 Know how to use the soft power of art 765 01:10:43,160 --> 01:10:45,200 good for him 766 01:10:45,580 --> 01:10:48,220 He is the one who invented beauty 767 01:10:49,340 --> 01:10:53,120 Also the first artist to explore the female gaze 768 01:10:56,160 --> 01:10:59,380 He is also the one who brought us here 769 01:11:29,320 --> 01:11:33,600 Pass through me into the city of pain 770 01:11:44,900 --> 01:11:48,280 Through me into eternal sorrow 771 01:11:58,990 --> 01:12:01,220 The lost ones pass through me 772 01:12:12,460 --> 01:12:14,260 You who enter here 773 01:12:23,400 --> 01:12:24,380 Dante's words 774 01:12:24,380 --> 01:12:28,160 Alighieri's Inferno resonates in Botticelli's work 775 01:12:29,360 --> 01:12:34,940 Illustrations from Divine Comedy tell us about the artist's painful inner journey 776 01:12:34,940 --> 01:12:39,780 He has shared half his life with Dante 777 01:12:40,500 --> 01:12:44,140 The poem itself is full of imagery 778 01:12:44,140 --> 01:12:47,980 A mind like Botticelli's must have been completely mesmerized 779 01:12:47,980 --> 01:12:51,580 possibilities designed for him 780 01:12:51,580 --> 01:12:52,360 draw one 781 01:12:52,360 --> 01:12:53,220 compose 782 01:12:53,220 --> 01:12:54,250 to invent 783 01:13:01,400 --> 01:13:03,740 Botticelli and Dante are very similar 784 01:13:03,740 --> 01:13:07,320 In a sense, they are two of the greatest minds and creators 785 01:13:07,320 --> 01:13:08,740 Coming out of Florence 786 01:13:08,740 --> 01:13:11,340 But they are separated by a century 787 01:13:12,700 --> 01:13:13,340 hell 788 01:13:13,340 --> 01:13:17,280 Dante gave it to us 789 01:13:17,280 --> 01:13:22,400 Botticelli gave us visual images 790 01:13:37,220 --> 01:13:39,200 sono and karaji 791 01:13:39,200 --> 01:13:39,980 Capola 792 01:13:39,980 --> 01:13:41,000 african oro 793 01:13:41,000 --> 01:13:43,200 Ajiao 794 01:13:59,700 --> 01:14:02,540 Every scene that illustrates hell 795 01:14:02,540 --> 01:14:03,960 hell 796 01:14:17,400 --> 01:14:19,520 So you have this extraordinary progress 797 01:14:19,520 --> 01:14:27,400 From very saturated ingredients to something less and less intangible, less and less composed 798 01:14:27,400 --> 01:14:29,490 almost like 799 01:14:29,490 --> 01:14:34,570 I think the last one is just a tiny dot 800 01:14:34,570 --> 01:14:37,540 within white surface 801 01:14:43,220 --> 01:14:46,460 In these we see a huge complexity 802 01:14:46,460 --> 01:14:52,500 He can compress many different scenes into one page 803 01:14:55,260 --> 01:14:58,440 These are works that take time to appreciate 804 01:14:58,840 --> 01:15:03,510 Botticelli wants you to read the text and look at the images 805 01:15:03,510 --> 01:15:07,500 We see figures emerging from the woods 806 01:15:07,500 --> 01:15:09,240 chased by a dog 807 01:15:09,240 --> 01:15:10,480 bitten 808 01:15:11,139 --> 01:15:16,440 We see figures tortured by the devil in hell 809 01:15:17,740 --> 01:15:24,540 Emotions that include a lot of gestures or body language 810 01:15:25,500 --> 01:15:30,900 So Botticelli combined beauty and elegance with horror and gore 811 01:15:32,179 --> 01:15:35,120 This is how Bochoi tells his story 812 01:15:44,160 --> 01:15:45,400 Botticelli 813 01:15:45,400 --> 01:15:46,240 storyteller 814 01:15:46,240 --> 01:15:49,180 Know how to touch the hearts of the public 815 01:15:49,180 --> 01:15:52,340 His paintings are chronicles of his time 816 01:15:53,559 --> 01:15:57,159 Florence has changed beyond recognition since its heyday under Lorenzo 817 01:15:57,159 --> 01:16:01,359 A magnificent city divided into warring factions 818 01:16:01,359 --> 01:16:03,359 It was an era of repression 819 01:16:03,359 --> 01:16:05,540 fear and slander 820 01:16:05,540 --> 01:16:10,160 Botticelli distilled all this into a sinister scene 821 01:16:16,179 --> 01:16:18,859 A painting in Tempera on a small panel 822 01:16:18,859 --> 01:16:21,600 Only 91cm wide 823 01:16:21,860 --> 01:16:24,360 Slander against Appel 824 01:16:39,980 --> 01:16:46,820 an old fable he used to defend a friend who had been falsely accused of slander 825 01:16:51,139 --> 01:16:56,340 Between King Midas with Donkey Ears and the Naked Truth 826 01:16:56,700 --> 01:17:01,480 The victim was slandered and dragged to the ground 827 01:17:03,580 --> 01:17:08,860 A real event becomes a metaphorical critique of the society in which he lives 828 01:17:13,400 --> 01:17:16,700 Artists like Botticelli were very popular 829 01:17:16,700 --> 01:17:22,300 Translate a highly complex message in the sense that they are able to convey 830 01:17:30,980 --> 01:17:32,440 If you want to do graphic novels 831 01:17:32,440 --> 01:17:33,520 If you want to be good at this 832 01:17:33,520 --> 01:17:35,900 You should see Botticelli because 833 01:17:35,900 --> 01:17:39,800 Although his work predates the invention of graphic novels by hundreds of years 834 01:17:40,220 --> 01:17:43,480 He tells stories succinctly, and as an illustrator 835 01:17:43,480 --> 01:17:46,420 You can learn a lot from Botticelli 836 01:17:51,880 --> 01:17:54,140 Among palace alumni 837 01:17:54,140 --> 01:17:58,240 This is a fairly small job 838 01:17:58,240 --> 01:17:59,580 if i remember clearly 839 01:17:59,580 --> 01:18:02,100 Seventy-two small reliefs 840 01:18:04,900 --> 01:18:08,180 Included are works that many artists have already worked on 841 01:18:09,260 --> 01:18:11,600 There is Venice and Moses 842 01:18:12,400 --> 01:18:13,160 you have a palace 843 01:18:15,760 --> 01:18:18,820 An episode of "Nasty Gid Leoni" 844 01:18:21,460 --> 01:18:21,860 So 845 01:18:21,860 --> 01:18:27,940 You have a lot of self-quotes that are only readable when you really look at the work 846 01:18:48,620 --> 01:18:50,920 The taste changes quickly 847 01:18:51,360 --> 01:18:54,540 He was replaced by the new giant Leonardo 848 01:18:54,540 --> 01:18:57,280 Michelangelo and Raphael 849 01:19:06,820 --> 01:19:09,780 If you were alive during Botticelli's heyday 850 01:19:09,780 --> 01:19:15,800 You could never imagine Botticelli dying in obscurity 851 01:19:15,800 --> 01:19:16,340 it broke 852 01:19:24,420 --> 01:19:25,820 The piano they made 853 01:19:25,820 --> 01:19:26,340 I'm here 854 01:19:26,340 --> 01:19:27,120 Itura a 855 01:19:27,120 --> 01:19:28,000 we are here 856 01:19:28,000 --> 01:19:28,380 Yeah 857 01:19:28,380 --> 01:19:30,460 and o a la vorar 858 01:19:33,190 --> 01:19:37,499 Botticelli concluded that Alasuvi was the god's Marat 859 01:19:37,499 --> 01:19:40,600 and Genna Liandia 860 01:19:50,880 --> 01:19:54,320 Think of a person who created paintings 861 01:19:54,320 --> 01:19:55,460 Withstood the test of time 862 01:19:55,460 --> 01:19:58,620 Has become a universal symbol of beauty 863 01:19:58,800 --> 01:20:01,420 die without any fanfare 864 01:20:01,420 --> 01:20:03,720 When Botticelli died no one noticed 865 01:20:03,720 --> 01:20:03,800 This is no longer a great man in Florence When Botticelli died no one noticed 866 01:20:03,800 --> 02:40:07,520 no one cares This is no longer a great man in Florence 867 01:20:03,720 --> 01:20:06,300 This is no longer a great man in Florence 868 01:20:06,300 --> 01:20:07,640 like how did this happen 869 01:20:07,640 --> 01:20:10,200 How could this happen to Botticelli 870 01:20:10,200 --> 01:20:11,920 The one we love so much today 871 01:20:21,990 --> 01:20:25,400 Botticelli died on May 17, 2010 872 01:20:29,860 --> 01:20:35,220 He was buried in the family crypt in All Saints Church 873 01:21:03,300 --> 01:21:04,180 Genius 874 01:21:04,180 --> 01:21:06,260 symbol of renaissance 875 01:21:07,840 --> 01:21:09,140 but after his death 876 01:21:09,140 --> 01:21:13,260 Botticelli was not forgotten until the nineteenth century 877 01:21:16,120 --> 01:21:17,160 It's hard to believe today 878 01:21:17,160 --> 01:21:19,120 But Botticelli was centuries out of date 879 01:21:20,200 --> 01:21:21,360 no one talks about him 880 01:21:21,360 --> 01:21:22,960 His works were not exhibited 881 01:21:22,960 --> 01:21:25,360 Primavera in the warehouse 882 01:21:31,720 --> 01:21:33,320 at the end of the nineteenth century 883 01:21:33,320 --> 01:21:36,520 Botticelli was discovered by artists 884 01:21:36,800 --> 01:21:40,560 It was Pre-Raphaelite art that looked to the past 885 01:21:40,560 --> 01:21:43,880 To make their creations fit for the moment 886 01:21:58,559 --> 01:22:01,699 Pre-Raphaelite means Pre-Raphaelite 887 01:22:01,699 --> 01:22:07,439 Before Raphael ended, their art stopped before Raphael 888 01:22:07,439 --> 01:22:11,499 Before Raphael, the most extraordinary artist 889 01:22:11,499 --> 01:22:13,480 It's Botticellini 890 01:22:26,400 --> 01:22:27,520 nude 891 01:22:27,520 --> 01:22:29,200 pagan subjects 892 01:22:29,200 --> 01:22:30,890 Ambiguity 893 01:22:30,890 --> 01:22:33,330 and nonstandard body shapes 894 01:22:33,330 --> 01:22:38,400 Here are four reasons why Botticelli was rediscovered in the 19th century 895 01:22:56,139 --> 01:23:00,540 We have an important character named Dante Gabriel Rossetti 896 01:23:07,340 --> 01:23:10,880 He and his fellow artists created a new vision 897 01:23:10,880 --> 01:23:15,960 Botticelli's rediscovery of new aesthetics 898 01:23:20,880 --> 01:23:23,700 Especially one of his paintings 899 01:23:23,700 --> 01:23:28,440 This is the famous so-called portrait of Smalfontinelli 900 01:23:33,419 --> 01:23:37,539 Interpret the portrait as a woman in front of a window 901 01:23:38,590 --> 01:23:41,459 it will generate a series of women in the window 902 01:24:15,740 --> 01:24:17,240 after preppy 903 01:24:17,240 --> 01:24:19,680 Botticelli's ethereal image 904 01:24:19,680 --> 01:24:23,340 Do fairies and myths have different meanings? 905 01:24:23,340 --> 01:24:28,460 Adapt to the times and new means of communication in the twentieth century 906 01:24:32,260 --> 01:24:33,760 dissemination of popular culture 907 01:24:33,760 --> 01:24:38,460 See new media reinterpret and appropriate artists' work 908 01:24:38,460 --> 01:24:41,640 empower and manipulate them 909 01:24:51,420 --> 01:24:53,460 five centuries after its creation 910 01:24:53,460 --> 01:24:58,200 Botticelli's art is once again used for political propaganda 911 01:24:58,600 --> 01:25:04,580 Ticono de Cai starts a call me sign in Kua Pictora 912 01:25:25,799 --> 01:25:28,919 For this, now I am Francisco O Momoa 913 01:25:28,919 --> 01:25:31,199 Botticelli's New York 914 01:25:32,839 --> 01:25:34,439 represent 915 01:25:34,460 --> 01:25:36,840 Aliyah Leon Jr. 916 01:25:48,510 --> 01:25:53,750 Fica de imagining a little Ticeriano Morto Kefal 917 01:25:53,750 --> 01:25:55,440 may be your brand 918 01:26:25,120 --> 01:26:28,240 You can understand why Warhol was obsessed with Botticelli 919 01:26:28,240 --> 01:26:30,140 Because it's so popular 920 01:26:41,639 --> 01:26:46,780 Botticelli was well attuned to modern trends before Andy Warhol 921 01:26:46,780 --> 01:26:49,460 He inspired Italian artists like Josette Fioroni 922 01:26:49,460 --> 01:26:51,520 He was inspired by the birth of Venus 923 01:26:51,520 --> 01:26:54,380 years before Andy Warhol's version 924 01:26:56,800 --> 01:26:56,920 Alexander McQueen 925 01:26:56,920 --> 01:26:57,840 fashion designer 926 01:26:57,840 --> 01:27:00,400 There is a whole collection of Botticelli 927 01:27:00,400 --> 01:27:02,840 My personal favorite is Lady Gaga 928 01:27:02,840 --> 01:27:05,600 Her album was inspired by Botticelli 929 01:27:05,600 --> 01:27:09,120 Reproduced by the great contemporary artist Jeff Koons 930 01:27:24,590 --> 01:27:25,739 in female form 931 01:27:25,739 --> 01:27:26,599 Just like Vian 932 01:27:26,599 --> 01:27:27,239 Rico 933 01:27:27,239 --> 01:27:27,699 Fuand 934 01:27:27,699 --> 01:27:28,139 krado 935 01:27:28,139 --> 01:27:28,499 Wesnoth 936 01:27:28,499 --> 01:27:29,480 www.icj-cij.ch 937 01:27:33,340 --> 01:27:38,560 Those created standards of beauty are often tied together in our system 938 01:27:38,560 --> 01:27:40,320 we don't even realize 939 01:27:40,360 --> 01:27:41,400 when we use them 940 01:27:41,400 --> 01:27:43,820 Or when we actually mean beauty 941 01:27:44,599 --> 01:27:53,200 I created a collection inspired by African and contemporary Italian styles 942 01:27:53,660 --> 01:27:55,260 We later looked at the images 943 01:27:55,260 --> 01:28:01,360 We realized that the attitude of this model was very similar to that of Venus 944 01:28:03,639 --> 01:28:05,179 in the work i do 945 01:28:05,179 --> 01:28:08,419 This is my true beauty 946 01:28:08,419 --> 01:28:10,100 i am attracted 947 01:28:13,720 --> 01:28:17,700 Botticelli's art remains a multifaceted prism 948 01:28:17,700 --> 01:28:21,200 Reflects the imagination of the observer 949 01:28:21,200 --> 01:28:28,660 His ideals of female beauty were continually repurposed and transformed into inspiring new theories 950 01:28:31,640 --> 01:28:36,740 Interpretations of his subject's androgyny still spark debate 951 01:28:38,200 --> 01:28:41,440 Della Farentono's motto 952 01:28:41,440 --> 01:28:42,700 Berg space 953 01:28:42,700 --> 01:28:44,880 Models and ICs 954 01:28:46,280 --> 01:28:48,820 Charlie is imaginary 955 01:28:48,820 --> 01:28:54,200 Picture Vio Esta Tito de la Casse 956 01:28:54,200 --> 01:28:57,240 Local perspectives in gender studies are 957 01:29:16,950 --> 01:29:21,150 Kui era in a triangle soul 958 01:29:21,150 --> 01:29:21,390 you know 959 01:29:21,390 --> 01:29:22,920 Quanova 960 01:29:33,990 --> 01:29:36,790 Universal beauty created by Botticelli 961 01:29:36,790 --> 01:29:40,260 Rejuvenated through constant reimagining 962 01:29:45,220 --> 01:29:50,160 You can transform these very iconic characters and make them say whatever you want 963 01:29:50,160 --> 01:29:52,180 This is the specialness of Botticella 964 01:29:52,180 --> 01:29:52,520 I think 965 01:29:52,520 --> 01:29:54,420 more than any other painter 966 01:29:56,220 --> 01:29:58,000 Botticelli was a visionary artist 967 01:29:58,000 --> 01:30:02,600 He didn't try to paint according to the rules and cannon 968 01:30:02,600 --> 01:30:04,640 He created his own beauty 969 01:30:06,620 --> 01:30:07,820 in the last century 970 01:30:07,820 --> 01:30:10,160 Because of Botticelli's rebirth 971 01:30:10,160 --> 01:30:11,640 Botticelli mania 972 01:30:11,640 --> 01:30:13,620 everyone went back to florence 973 01:30:17,440 --> 01:30:18,840 We are going to Florence today 974 01:30:18,840 --> 01:30:23,460 We feel the electricity of the Italian Renaissance 975 01:30:23,460 --> 01:30:25,280 I think your feeling is the strongest 976 01:30:25,280 --> 01:30:28,720 When you stand in front of a Botticelli painting 977 01:30:28,720 --> 01:30:30,320 They are electrifying 978 01:30:32,139 --> 01:30:35,420 There is a portal into that world 979 01:30:40,700 --> 01:30:42,320 Symbols from the Medici 980 01:30:42,320 --> 01:30:46,420 Florence and the resurgence of global brands 981 01:30:48,480 --> 01:30:54,920 Botticelli transcended boundaries of time and space to become part of the collective imagination 982 01:30:59,679 --> 01:31:00,799 Same now as then 983 01:31:00,799 --> 01:31:03,260 He is a very influential man 984 01:31:06,559 --> 01:31:11,790 His masterpieces speak a universal contemporary language 985 01:31:13,160 --> 01:31:18,460 On the banks of the Arno, Botticelli awaits 986 01:31:39,139 --> 01:31:41,000 Florence is everything 987 01:31:42,599 --> 01:31:43,439 There are others 988 01:31:45,439 --> 01:31:46,140 nothing